Contorting, Compressing, Etc.

Priyanka Voruganti

 

It’s like that moment in Get Out where, once

sunken, the guy sinks deeper. I used to marvel

 

at those Japanese soda bottles with pearly glass

balls, the balls you pop down with the soft

 

of your thumb. Lower going lower, essentially.

I am not sure if this is a medical problem

 

or a uteral one, the caving in on myself. Chest cavity

contorted, compressed to create space outward. It’s about

 

taking up space. Dad used to find me hiding

in the oddest places, the bottom of the laundry chute

 

(on days where clean clothes lined our closets), the shed

by the pool (barren for years, unused, dirty), Mom’s

 

bedroom. Mom was gone by then. (That room

was a void.) I felt in these spaces a kind of blending

 

in with the landscape, a taking up of minimal

space, negative space, compressing, contorting my body

 

to fit inside the belly of the grand piano, willing

my parts to go numb, these legs are tuning pins

 

arms brass strings ankles and such. Still. Then,

in the late morning, someone would come sit

 

on the warm leathered seat, twiddle their hands

over the shiny white keys, Grandma or Brother

 

or someone. An eruption of vibration ensued, and I felt

everything inside of me buzz. I laughed, filled my entire body

 

with air, seperated from piano, stepping out of belly,

emerging. It was always a shock to remember how tall

 

I was, what the ground felt like, that I was something

3D. I felt it so sharply while watching the piano

 

play itself. I felt everything then, there,

standing there. I felt everything and realized

 

that the piano felt nothing, that you don’t ache.