Radium Girls
after emily skaja
yong-yu huang
In this factory of crime scenes, we break at noon. You tell me it’s safe. That to make art
is to excise it from the body. I learn that I am only in love with time until my lungs sluice
into the sink. The groundwater beneath my bed. Every accident I collect in a bouquet of
dark feathers. I scatter them in the parking lot, by the heap of discarded hair. My hands
more radiant than any bombshell blonde. To glaze in a kiln & stare back at myself, the
rounded eye of a blackbird. I die slower on-screen than in real life, move only in
increments of glass. Crisp seconds. A pool of thinning paint. When I return I watch the
gears rust, caught between black light & a painting. In this one, the hands are melting
faster than any gunfight. Someone says, I’d kill for time & this must be some universal
truth. Greased hands. Disassemblage of the body. The way slick metal distorts the skin
seems so palatable under duress. I don’t know why the bells are ringing brighter in my
ears. If I unslung my jaw, these machines would crumble into dust––enough to scatter
across the pockmarked face of the asphalt. Somewhere outside, the children wind their
watches. The birds molt above the roof on loop. I lick my fingers clean.
Yong-Yu Huang is a Taiwanese writer living in Malaysia. Her work has been previously published or is forthcoming in Kissing Dynamite, Sine Theta Magazine, and Hominum Journal, among others. She has been recognized by Princeton University, the Kenyon Review, and the Georgetown Literary Festival. In her free time, she can be found humming the Doctor Who theme song.